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Description. The Haripunchai national museum in Lamphun was founded in 1927
(2470 BE) by Praya Ratchanakulvibulbhakdi, Governor of Mon-thon Phayap. Today the museum
is operated by the Department of Fine Arts. In 1974 (2517 BE) a new building was built
at today's place.
The main exhibition is situated in a large hall like room on the upper floor of the building.
On the ground floor in the middle of the building a small hall, open to the south,
exhibits the inscription stones.
Photographing and filming are forbidden through-out the museum!
The museum shows objects found in the area of Lamphun, the former Haripunchai, capital of
the Kingdom Haripunchai.
In the small hall with the inscription stones a total of 35 stones are exhibited. Seven of
the stones show Mon inscriptions. On the other 28 stones inscriptions of Lanna origin are
found.
The exhibits in the main hall can be divided in-to two groups: the haripunchai group and the
Lanna group.
The Haripunchai group is further divided into exhibits which show clear influence of the
indian Pala art and the Dvaravati art. The objects displaying Pala influence were created by
their artists before the 11th century AD (17th century BE). The
Dvaravati epoch began around 1050 AD (1600 BE) and lasted until 1293 AD (1836 BE), when the
Kingdom of Haripunchai fell to King Mengrai, the ruler of Lanna. Statues and Figurines from
this epoch show specific head characteristics such as strong and connected eye brows, downward
looking eyes and slightly upward bended eye angles as well as slightly opened smiling lips.
Pottery items on display, in various shapes and richly decorated, were mainly used as urns for
the ashes of the dead or as water jars as commonly found in the north.
In the Lanna group objects from the 14th to 19th century AD
(19th to 25th century BE) are exhibited. The objects on display in a
first sub-group suggest a search for identity by the artists of that time, since the influence
of Khmer, Haripunchai and Pala art is still clearly recognizeable. The exhibits found in the
se-cond sub-group are made in the typical Lanna style, which merges Sukothai, Ayutthaya and
northern characteristics into a whole new and unique style.
The third group of exhibits displays objects which show specific characteristics from
Pha-yao with influence from Lanxang in today's Laos. In this group are sculptures and
porce-lain from Sankhampaeng, Khalong, Tungtaohai and Pan on display. Art items such as
flowers, elephants and horses made form gold and silver, which most likely were donations
to monks, are found in the fourth group of the exhibits. Those objects were created during
the same period as Bangkok's Rattanakhosin art was developed in the late 18th
century AD (24th century BE). The more the north was influenced by Bangkok, the
more also the northern art works became influenced by the Rattanakhosin style. Source: Brochure of the Haripunchai National Museum.
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